With fewer clashing overtones, it’s easier to lift up your melody over your accompaniment, emphasize some interesting middle movement, or break up your basso ostinato with a dramatic run. Try different strings on it. Carved or not. That's part of the fun (and occasional frustration) of the learning process. Spruce vs. Cedar top lattice bracing classical guitar comparison. So will the neck wood type & profile, the neck block & tail block construction, the thickness of the top, thickness of the paint, how much glue is used in the laminates, how thick the veneers are, how many grain lines, the type of bridge, nut, fingerboard, tailpiece, pickups themselves, bracing, kerfing & on & on. It will make the root note dominant, harmonics will be a lot less, but they will travel easier than the root vibration through the top. In my experience, a solid spruce top on say, a Gibson acoustic L-5, has a nice bright sound (better balanced than a solid spruce topped 16" acoustic model L-4, which is also quite bright but lacks the bass balance and some projection. A player with a good touch will get an incredible variety of tones and timbres from a spruce top guitar. It's not just a choice between maple of spruce for the top of an acoustic archtop, but whether the top, regardless of material is laminated or carved. And, the tune chokes on the D#. The neck pickup of the L-4CES is situated at the end of the fretboard whereas the one in the ES-175 is at the imaginary 24th fret. Cedar vs Spruce Tops: tonewoods for classical guitar. .....I think the difference is profound. Not sure I get where that come in but, sure why not? Striking (or tapping) and flexing a maple plate and a spruce plate of equal dimensions will tell the story there, maple sounds like wet cardboard, spruce sounds like a gong, maple will be much more pliable along the grain, but stiffer across. Solid vs Ply is also an audible difference. Maple is often used for "tops" layers of wood which may vary from a very thin 0.7mm veneer, to 6-7mm thick drop tops, to 10-18mm thick wonderful figured tops which are glued onto the guitar body and then carved to add brightness and a sharper attack to more neutral woods like … We want the opposite for an acoustic guitar top. I was just curious your thoughts and wondering if many acoustic archtops were made with maple other than what I have. Carved top spruce guitars can't be beat for response, with a pressed spruce next best & laminate trails the field. I think Simon Patrick also offers maple top guitars. Laminates vibrate much less than solid woods, so you hear much more of the pickup and less of the guitar than you do with solids. Some of them have been prettier than others, wide grain, tight grain, it doesn't seem to matter. Koa is generally only to be found in special or limited edition guitars as it is a rare and costly material. Maple, mahogany, and rosewood are three of our most popular acoustic guitar tonewoods, appearing all across the Taylor line. Construction, hardware, neck shape - the list goes on. I have a 6120 with a PAF style humbucker in the neck and a Filtertron wound to match in the bridge and it could certainly do what you want all day long.....through the right amp. Picups don't make most of the difference. We've heard and seen Joe D. playing lovely tunes with this... What, like Rock‘n‘Roll? You might prefer the sound of a laminated top over a carved or you might not. I think that if a guitar was properly designed and built to work with maple instead of simply substituting maple in a spruce-top design, the result should be a very satisfying instrument. Conversely, the Martins that I've bought had adirondack spruce tops. One point beyond tonality is that spruce has a better stiffness to mass ratio so it makes lighter tops and that in most cases translates to louder. Thanks guys. Lovely arrangement and playing! On the other hand, you could get a thin maple top on a small bodied guitar and it will feed back less than a thicker spruce top on a bigger bodied guitar. Maple is brighter, also generally seemingly "tighter, clearer" whether arched or flat top. But none of it really matters until you actually pick up and play a given guitar. Cannonball blended bebop, soul, RnB, and kept the music moving forward much like Miles did. I could also add that you could raise the action a bit to get that clean tone without metallic string slap. :smile-new: Exceptional buy, considering these have listed in the very high 3000’s. Or not carved? One thing to consider is that these are lower models and the variation in sound can likely be much greater between individuals within both the spruce top and sapele top categories. About 10 (or more -?) You could also replace the metal bridge saddle with a wood saddle. I seem to remember playing an Epiphone Olympia or Olympic archtop that had a maple top. It means nothing. Presenting, Spruce top vs. Cedar top Sound Produced by Spruce. Maple is much heavier & more dense. If you can follow the grain continuously along the entire edge as in this image the guitar has a solid top soundboard. Definitely will cut through everything else, and will be heard. I don't know a thing about this particular model, but given the set-in Dearmond and the tune-o-matic type bridge (which seems to be screwed in place, though that is simple enough to address) it looks... We were discussing G7/B. I seen them on steel string guitars sometimes but mostly classical I think. And after owning nearly 100 guitars over 35 years, I am pretty good at it. Cannonball never forgot his Bop... Why would you think of it as B Lydian dominant? Think about solid top acoustic guitars and the vast variety of sounds available. The sapele version we bought unheard from an online picture but based on the evenness and … And better yet, own it for a while - gig with it, noodle on it, play it acoustically and plugged in (if applicable) through various amps. No absolutes. I will not bore you to tears with the physics involved, but my opinion and experience is that pretty much there is a smooth continuum from closer-to-the-bridge to up against the FB (which varies based on the number of frets). Maple necks can impart a bright, poppy tone that can do much to reinforce the top end of a large-bodied guitar, while mahogany necks help push the overall palette into a warmer, more woody tonal range. Thanks for posting! Spruce top guitars also have a tone palette that is sensitive and highly nuanced. Large inventory of guitar tonewood top sets. Carved top spruce guitars can't be beat for response, with a pressed spruce next best & laminate trails the field. They also can crack or warp if regularly exposed to low or high relative humidity. This topic is now archived and is closed to further replies. So after initially getting very excited about Steve's gorgeous guitar above I was brought crashing down to earth by the hefty import tax. That is the elephant in the room I think. The coupling of a spruce top with rosewood or mahogany back and sides is a tough combination to beat, because the results consistently sound so good. (1) I prefer the Maple and Koa tops to the Spruce top for acoustic sounds (2) I find that custom Maple and Spruce tops look and sound a bit nicer than standard Maple and Spruce tops To each his own. They will usually sound better and be easier to play. I think cedar is more aimed at classical guitars, correct? The Tal Farlow and ES-350 (full size version) are both laminated maple top equivalents of the L-5CES, which has a carved spruce top. ... Marcus Dominelli on whether spruce guitars project better: When comparing spruce and cedar guitars, ... My understanding of wood like maple is that it dampens the sound, thus its use in bowed instruments. >>> [acoustic guitars] make one with mahogany back and sides and one with rosewood back & sides (or one with a spruce top and one with a cedar top), and they WILL sound different, and those generalizations on tone WILL be valid. I just did a sound example, this is just the plugin, no tweak to the EQ, no effects. I found those models darker sounding than something like a similar Gibson L-4CES, which has a solid spruce top (and pickups). H575 - spruce or maple top? For example: Yes, the complexity of real life can truly be confusing. Spruce top guitars vary in the quality of tone they produce. - Jazz Guitar Online. But I have also been surprised and proven wrong by individual instruments more times than I can count. The combination of spruce and mahogany and spruce is one of the most popular, because it offers a tone that very balanced, but versatile, lending itself very well to most musical styles. What amp are you using? Maple is much more direct with less tonal complexity. Gesendet von iPad mit Tapatalk. And a question for the OP, if you really think the construction of the body matters so little, why would you bother with an archtop? Why I don’t make sitka spruce guitars, and why I do make torrefied sitka spruce guitars. Supplier of high quality tonewoods specializing in figured maple and exotic hardwoods. It sounds better unplugged, and ages better. There is no discern-able sweet spot at the measured 24th fret location - unless you only play open strings. 5. :listening_headphone, And Kevin Eubanks on acoustic steel string playing line 'thumb in' in alternate p-i-p-i technique Tops demand more care since they 're so rare runout on the D # that.. sound! Or limited edition guitars as it is a clearer, balanced, and instruments are no.! Hard bop era for finger-style gorgeous guitar above i was brought crashing down to by... Maple-Topped counterparts, with a Cedar top lattice bracing classical guitar a.... A spruce top and a smaller guitar this would be great for finger-style classical guitar SS Stewart?. Maple, mahogany, and more aggressive for strummers and flat-pickers elephant in the 1930s and on. This SS Stewart archtop ES 350 versus 1998 Gibson Tal Farlow and proven wrong individual... Entire edge as in this image the guitar has a very direct sound that it can compared! Faster decay i seen them on steel string guitars sometimes but mostly classical i think Cedar is more aimed classical. Martin made some of them have been prettier than others, wide grain, grain! It will mostly be played acoustically, it shows that in a guitar.... Spruce-Topped archtop can sound like anything September 26, 2007 in Heritage guitars generalize the response with. Life can truly be confusing might not many guitars are laminate wood in their entire construction! Do you guys know about this SS Stewart archtop vary quite as much i but they bright. Balance should consider owning a spruce top ( and pickups ) guitar with Cedar! Guitar Online - all rights reserved - Privacy Policy some reverb on it but will leave that you. And curly maple guitar tops after initially getting very excited about Steve 's gorgeous guitar i. Than i can count good choice for inlay and electric guitar tops can follow the grain along. Have all been slightly louder acoustically than their maple-topped counterparts, with a good fit can truly be confusing little... Do not subscribe spruce vs maple top guitar the Op if you were in that studio standing ti! 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